Les Liaisons Dangereuses (Dangerous Liaisons). A Roger Vadim movie, released in 1960, which has a jazz soundtrack featuring the Thelonious Monk quartet as well as Art Blakey, Barney Wilen and Duke Jordan, who also appear. 1959 - New York, 111 minutes, B & W - in French, a version was also available with English subtitles.

Bud Powell, Club St. Germain, Paris, 10/13/59, Barney Wilen (tenor sax), Clark Terry (trumpet), Pierre Michelot (bass) and Kenny Clarke (drums), Toshiba/EMI #TOLW-3107, Crossin' the Channel, No Problem, Pie High, 52nd Street Theme, Blues in the Closet, Miguel's Party; Bud Powell, The Blue Note, Paris, 12/27/59, Lucky Thompson (tenor sax), Jimmy Gourley (guitar), Pierre Michelot (bass) and Kenny Clarke (drums), Get Happy, John's Abbey, Anthropology

L´Ascenseur pour l´échafaud (Lift to the Scaffold) France 1957. 90 Min., Direction: Louis Malle, Music: Soundtrack by Miles Davis Quintet (Miles Davis, Barney Wilen, René Urtreger, Pierre Michelot, Kenny Clarke); Maurice Ronet, Jeanne Moreau, Georges Poujouly, Lino Ventura

Si J'Avais Quatre Dromadaires (If I Had Four Camels), 1966, Written by Adrian Miles. The film consists of shots of 800 of Marker's photographs filmed with a commentary. Director: Chris Marker,Producers: Henri Régnier, Claude Joudioux, Photography: Chris Marker, Assistance from: J.F. Larivière-Brochard, Christine Lecouvette, Wolfgang Thiele, Narration: Pierre Vaneck, Nicolas Yumatov, Catherine Le Couey, Music: Lalan et Trio, Barney Wilen, Sound: Antoine Bonfanti, 49 minutes (Meeker lists as 73 minutes) Black & White, References: Baker, 1989.

Le Coeur Fantome, (The Phantom Heart), by Philippe Garrel. A dramatic comedy, Philippe, painter and father of two children, discovers that his wife misleads him. He leaves and remakes his life with Justine, 20 years. But he misses his children. In this new family chronicle, it presents the pain of a son haunted by his past and those of a father made to feel guilty to have given up his children. France, 1996 Director: Philippe Garrel, Noemie Lvovsky, Marc Cholodenko, Music: Barney Wilen, With: Shine Rego (Philippe), Aurelia Alcaïs, Maurice Garrel (the father), Evelyne Didi (Annie), Roschdy Zem (Moand)

Erroll Garner / Bud Powell 61 min., b&w, mono. Bud Powell (p), Pierre Michelot (b), Kenny Clarke (dr) with Barney Wilen (ts) and Clark Terry (tp) or Lucky Thompson (ts) and Jimmy Gourley (g) live in Paris, October & December 1959. Erroll Garner (p), Ernest McCarty (b), Jimmie Smith (dr), Jose Mangual (perc) live at the ORTF in May 1972.

Jazz sur la Cote d'Azur Filmed 1963 60 min., Secam VHS Bill Coleman (tp) Guy Boyer (p,vib) Don Byas (ts) Roger Guerin (tp) Barney Wilen (ts) Peter Giger (dr) plus Dizzy Gillespie 5 for 1 tune Tunes: Metro Jazz, I got rhythm, Lover man, Autumn leaves, Trois Malletts Jam, I can't get started, Vibre my love, Blues relache, Roby's riff, My melancholy baby

La Jetee The main scene of the film is a child and a woman's face on Orly's esplanade. It is the leading character's obsession, who now, adult, is a prisoner of the world war three winners in Paris underground. There, he is scientifically tested to travel in the time dimension. The man goes back to the past, falls in love with an airport woman and becomes aware of his remembrances. The two protagonists arrive at the airport platform and he is sure he doesn't want to come back to the present time, but there are some "future agents" who want to force him to do it. The scene he saw when he was a child was just his death's one. The travel in time was not a new subject in 1962, but "La jetée" is a completely unconventional film as to construction. The editing links are frozen but meaningful instants to each other. The photography stillness gives a sense of temporal suspense of the story, and, at the same time, has a documentary function, like Bellour said in 1990. The picture story/comics shape of "La jetée" coincides with the theme of the film, death, as the result of the superimposition of future upon present. Direction and photography : Chris Marker. Editing: Jean Ravel. Music: Lalan e Barney Wilen. Co-production APEC and ISKRA. B&W, France, 1962. Duration: 28'.

A Propos d'un Muerte Fictional short about a woman who murders her lover. Direction: Christian Ledieu, Music: Barney Wilen, France, 1966, Duration: 16'.

Un Temoin Dans La Ville (A Witness In the City)