- Dedication
by
Miranda Hawkins
-
- The
only short story I had to write in my Creative Writing class.
Again, not really my normal fair, but it does have a graveyard;
it also a personal jab at my professor at the time. It's not
blatant, but it's fairly obvious, I'm sure she caught it, anyway.
>:)
Autumn leaves crackled softly beneath my feet as I wandered amongst
the aging tombstones, sketchbook in hand. The breeze was cool
and tugged gently at my dark curls as I made my way deeper into
the small graveyard. I'd been coming here two or three times
a week for the past month or so, because my art teacher felt
I needed to expand my portfolio.
"Abigail," she'd said. "You need more depth in
your work, more meaning. Go out into the world and draw something
truly inspiring!"
Sometimes I think my art teacher's really full of shit. Now,
don't get me wrong, I know my style isn't for everyone. There
are lots of people that despise fantasy, but that's what I have
to draw. It's my lifelong passion and I can't imagine ever doing
anything else.
So, with incredible difficulty I found a subject that interested
me and would keep my teacher happy: death. Crypts and tombstones
make wonderful studies, especially if you can find an older graveyard
where the caretaker has let everything grow wild.
Madison Cemetery was exactly what I was looking for. Ancient
and overgrown, some of the tilted tombstones dated back to the
1600's. Newer graves were separated by a crumbling stone wall
that seemed held together only by the crooked climbing vines
that scaled it.
As I walked further the sound of soft sobbing reached my ears
and I didn't have to look to know that it was him. His presence
was always erratic and sometimes he'd be there when I arrived,
other times he'd appear after I'd begun sketching, but he always
appeared eventually. At first his presence made me feel slightly
uncomfortable, but eventually he became part of the cemetery
itself and was no more strange to me than the chittering of the
squirrels around me. After the first several days curiosity finally
got the better of me; I wanted to know more without actually
disturbing the young man, so, one time, even though I'd finished
my drawing for the day, I waited for him to go home, thus leaving
me free to examine the tombstone he frequented.
Standing two feet by three, its marble head supported a lamenting
angel, wings spread out and arms opened wide to Heaven. It read:
-
- Hannah Bates
Born January 5, 1992
Died April 28, 1997
-
- Below this was an odd, empty area
where an epitaph should have been engraved, but for some reason
was left blank. Intricate Celtic knot work coiled gracefully
around the edges and made my fingers itch to draw it, but dusk
was coming and I had no desire to be ticketed by the solitary
police car that generally patrolled the area, so I refrained,
leaving the stone and its mystery for another day.
-
- * * *
-
- We never spoke, but there was
never a need. I left him to his sorrow and he left me to my sketching.
I do have to admit that from time to time I wondered about what
caused him to kneel at the same grave day after day, but I could
never get up enough courage to ask him.
Slowly I wove my way through the scattered stones in search of
the grave whose image I hadn't finished the previous day. Finding
it, I sat cross-legged on the damp ground and opened up my sketchbook
to finish my drawing. It was coming along nicely, but because
I'd been working on it for several days the shading was lopsided.
Slowly, with long, adept strokes of my pencil, I tried to even
out the image, but I soon realized that the error was going to
be slightly more difficult to mend than I'd originally thought.
I must have sat there for several hours attempting to fix my
mistake, because when I returned from within myself both of my
feet had fallen asleep. Carefully I adjusted my legs and then
paused, wondering what had broken my reverie. Something in the
cemetery was definitely different, something I couldn't quite
place. Suddenly I realized what was missing; the sobbing had
stopped. Thinking, perhaps, that he'd merely softened his cries,
I strained my ears to hear something other than the wind through
the trees. At first I heard nothing, and in those few moments
a vague feeling of incompleteness came over me; the cemetery
just didn't seem the same without his gentle weeping in the background.
It was then that another sound, so slight I'd almost missed it,
caught my ears. Someone was standing close behind me, breathing
lightly. Laying my pencil down, I turned and found myself facing,
unsurprisingly, the young man with whom I seemed to share Madison
Cemetery. This being the first time I'd actually seen him without
his face buried deeply in his hands, the artist in me took a
moment to reflect upon his features.
He wasn't what society would have called attractive; the nose
was too big and the chin was too long, but the sorrowful smile
he gave me when I looked into those red-rimmed hazel eyes was
enough to melt my heart and at that moment I wanted nothing more
than to make him smile; not a small smile, but the ear-to-ear
Cheshire cat kind. Brushing soft, brown bangs out of his face,
he crouched down next to me, studying my picture.
"You come here a lot," he said, still looking at my
drawing
It was a statement, not a question. For a moment I was without
words, unsure of how to respond, so I nodded slowly. "It's
an assignment for school."
He smiled that sad smile again and looked up from my sketch.
"Your teacher told you to go out and draw tombstones?"
"Well, not really," I replied, feeling uncomfortable
beneath the intensity of his gaze.
"You chose to come here?"
"Yeah, I think I'm trying to rebel against society's norms.
You know, do something outlandish and unexpected."
"You think your trying to rebel?"
I shrugged. "Then again, maybe I just like graveyards. It
can be soothing to be surrounded by all these memorials of the
dead."
He was silent for a long time, and I was worried that I'd hurt
him, but then he sighed slowly and asked, "What's the point
if you can't think of a way to truly remember them?"
"I'm not sure I understand what you mean."
He gestured to the grave I'd been working on. One of the older
ones, the stone was chipped and crumbling. Nature had done her
best to erode the words, which were terribly faded, but still
legible. They read:
-
- Preston Markham
Born February 18, 1854
Died August 21, 1932
-
- A precious one from us
is gone
A voice we loved is still
A place is vacant in our home
Which never can be filled.
-
- "That's what I mean,"
he said. "This stone isn't just to mark a death, but to
remember a life. My sister's grave has no reminder, it's nothing
more than a faceless stone." As he spoke, fresh tears began
to fill his eyes and my mind flashed briefly back to the blank
space on the girl's tombstone.
Patting the leaf-covered ground beside me, I motioned for him
to sit, which he did. Then I smiled softly and asked, "Would
you like to talk about it?"
Hope flashed in those doleful eyes, lighting his face. "You
don't really want to listen . . . do you?"
"Only if you really want to talk."
Sighing deeply, as if a great weight had been lifted from him,
he said, "Thank you," and sat down. "Hannah, my
sister, died in a car crash about a year ago; she was only five.
Rain had been pouring down all day and she called me to ask if
I could come pick her up from a friend's house. Normally, Mom
would have done it, but she was out shopping, so I agreed.
I've always tried to be a safe driver, but the roads were slick
and I couldn't stop in time. We were turning onto our street,
when a car with no headlights came whipping around the corner.
There was nowhere for me to go and we crashed almost head on.
My sister was killed instantly, but I didn't find out she was
dead until several days later when I woke up in the hospital."
He paused to collect his thoughts, grief bathing his face with
an unhealthy pallor. "My Mom picked out the tombstone and
agreed to let me write her epitaph, but nothing I've written
is good enough. When I go home at night, her grave haunts my
dreams, only instead of the mourning angel, Hannah has taken
its place. Tears stream down her ghostly face and I know she
cries because I can't find the words to tell others what she
meant to my Mom and me." Breaking, the young man placed
his head in his hands and allowed himself to weep once more.
"Please," I begged, placing a hand on his shoulder.
"Please don't cry. Hannah wouldn't want to see you like
this, would she?"
Raising his head, he looked at me with tired, bloodshot eyes.
"Hannah's dead," he whispered. "She's never coming
back."
I shook my head and whispered, "No. To live in the hearts
of those we've left behind is to never die."
He was silent for a moment as understanding lit his eyes. "Do
you really believe that?"
"I do."
He smiled then, and it was different this time; I saw hope there.
"Thank you for . . . well, for everything."
"Your welcome," I replied as he stood and walked slowly
away.
-
- * * *
-
- That was my last day spent in
Madison Cemetery, (for my art assignment, anyway) and I never
saw the young man again, but our conversation stuck with me for
so long that one day, several years later, I decided to return
to the spot. After buying a white rose from a corner market I
made my way back to the cemetery that held so many memories.
Wandering slowly through the stones, I soon found myself standing
before the grave of Hannah Bates. I'm not sure exactly what I
was expecting, but it most certainly wasn't what I found. Hannah's
epitaph had been filled in, and her tombstone read like this:
-
- Hannah Bates
Born January 5, 1992
Died April 28, 1997
-
- To Live in the Hearts
Of Those We Left Behind
Is to Never Die.
-
- Slowly, I placed the rose at the
tombstone's base and walked away in silence, as unexpected tears
trailed gradually down my cheeks.
-
-
- All
poetry, stories, etc. ©2000 Miranda J. Hawkins. All rights
reserved
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