The patterns came from Truly Victorian and Ageless Patterns. I used the TV Evening Bodice, and combined the front of the TV French Fan skirt with the back of the AP Ballgown.
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| 1. Since Victorian bodices were very close-fitting, I began with a muslin mockup and custom fit it. It subsequently becomes the bodice lining. (Mustn't waste that fabric!) | 2. Combining two skirt patterns is always tricky. I had to strike a balance between a clean line and enough skirt room to be able to polka with an energetic partner. And don't even get me started on the difficulties of a lined, double-box-pleated train ... |
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| 3. The bodice is boned along all seams and darts, interlined with denim, then lined with the original muslin. It goes over a corset, and then you try to dance in it. No wonder ladies were always fainting. | 4. The sleeves are lined with netting to hold their shape, and lined again with cotton so the netting doesn't irritate the wearer's arms. |
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| 5. Five months later, it's nearly finished, and the art show is three days away. | 6. Bodice detail featuring shoulder bows of gold tissue and beaded roses. |
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| 7. Off to the ball, July 2002. |