Roy had come to Nashville
at the urging of of a lifelong friend
from our hometown, Shreveport,
Louisiana, Jerry Kennedy.
Jerry had moved to
Nashville years ahead and began a career
with Mercury Records.
Needless to say he had epitomized the
proverbial "small town boy
makes good." It was here while
working as an A&R man
for Mercury Records that Roy first
met and worked with
Tom T. Hall. He was in total awe of the
man and his music.
I remember conversations
I had with Roy when he first began
working with Tom T. He told
me of going to Tom T.'s sprawling
farm and eating "deer and
biscuits" there! He also told me of
humanitarian
causes Tom T. was
actively involved in, of which
no one was aware.
Why? Because that's the way Tom T. wanted
it. He wasn't involved
for the recognition, he was involved because
he cared for others
less fortunate. And that seemed to be quite
rare in a business
seemingly built on "bright lights and big cities."
Roy was totally impressed
and in awe of this man who wrote
simple stories about country
people doing country stuff.
His songs made you
feel it was "okay" to have come from the
rural South or "humble
beginnings." I guess that is one of the
many
reasons we were drawn to the
man and his music.
Music that brought
back memories of sitting on the front porch
of our Grandpa's house in
the evening and listening to stories
of hard times, hopes for
better times, and always with the firm
belief that they would come
our way someday. The first time I
heard "Old Dogs and
Children and Watermelon Wine," I can
remember thinking, "Grandpa
would have loved this song."
I don't think anyone
from south of the Mason-Dixie can listen
to Tom T.'s songs and
not find memories of a profound heritage
in one of them.
Someone from their past, a family member, or
even themselves. ..and
all the while feel musically carried back
to that old front porch.
An excerpt from the
Mercury-Nashville 1995 biography of
Tom T. Hall sums up
the feelings of so many for The Storyteller:
"No other composer has explored
the poetry of everyday life as
deeply. None of his peers
have created as vivid a cast of
characters. No songwriter
before or since has worked within
the country idiom to fashion
as consistent a body of work with
such compassion, insight
and narrative strength. He remains,
simply, the ultimate musical
"Storyteller."
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Tom T. was quoted
once as saying, "Ten years from now, it will
be old stuff."
"Each generation should entertain their own."
Perhaps that's how it should
be. But for the generation that was
entertained by the extraordinary
talents of this artist it will never
become "old stuff."
And the most phenomenal aspect of this is
the "generations" entertained
by Tom T. seems never-ending.
"Ol' T's In Town" (KOC-CD-7972)
produced by Roy Dea and
Tom T. Hall, and originally released as RCA AHL1-3495 in 1979. In
1994 KOCH RECORDS began releasing an
incredibly successful
series of reissues and anthologies. "Ol' T's In Town"
"Soldier Of Fortune" and
"Places I've Done Time" also produced by
Roy Dea and Tom T. Hall
were reissued in 1998 on Koch Records.
The reissues are dedicated to
the memory of Roy Dea.
"Soldier Of Fortune"(KOC-CD-7903)
Produced by Roy Dea and Tom
T. Hall. Original release on RCA
Records in 1980. Reissued
on KOCH RECORDS in 1998. Reissue
on Koch Records.is dedicated
to the memory of Roy Dea
"Places I've Done Time" (KOC-CD-7973)
Produced by Roy Dea and Tom
T. Hall. Original issue on RCA
RCA APL1-3018, 1978
Reissued on Koch Records in 1998
“The records I made were
always free-spirited and my producer
would capture that spirit
on tape.” Tom T. Hall, March 1998
