On religion and intelligent people.. ``When there was as yet no shrub of the field upon earth, and as yet no grasses of the field had sprouted, because Yahweh had not sent rain upon the earth, and there was no man to till the soil, but a flow welled up from the ground and watered the whole surface of the earth, then Yahweh molded Adam from the earth's dust (adamah), and blew into the nostrils the breath of life, and Adam became a living being.'' Harold Bloom comments: ``To shape by molding, to make a fiction, is to fashion Adam out of the adamah, out of the red clay. Adam is not faked; he is fictitious and not factitious. Yet J's uncanny trope of this fashioning has become another facticity for us. True reading would recover the trope, and yet can any of us avoid literalizing it?'' _Ruin the Sacred Truths_ p.10 You can understand it's a figure of speech for the origin of figures of speech; language for the origin of language; but Bloom is right, you can't read it without literalizing it anyway. It is good poetry. Take religion as figures of speech for relations between people, ethics. Levinas _Difficult Freedom_ p.17 ``The moral relation therefore reunites both self-consciousness and consciousness of God. Ethics is not the corollary of the vision of God, it is that very vision. Ethics is an optic, such that everything I know of God and everything I can hear of His word and reasonably say to Him must find an ethical expression. In the Holy Ark from which the voice of God is heard by Moses, there are only the tablets of the Law. The knowledge of God which we can have and which is expressed, according to Maimonides, in the form of negative attributes, receives a positive meaning from the moral ``God is merciful,'' which means ``Be merciful like Him.'' The attributes of God are given not in the indicative, but in the imperative. The knowledge of God comes to us like a commandment, like a Mitzvah. To know God is to know what must be done. Here [?sic] prophets preoccupied themselves not with the immorality [?sic] of soul but with the poor, the widow, the orphan and the stranger. The relationship with man in which contact with the Divine is established is not a kind of spiritual friendship but the sort that is manifested, tested and accomplished in a just economy and for which each man is fully responsible. ``Why does your God, who is the God of the poor, not feed the poor?'' a Roman asks Rabbi Akiba. ``So we can escape damnation,'' replies Rabbi Akiba. One could not find a stronger statement of the impossible situation in which God finds himself, that of accepting the duties and responsibilities of man.'' Notice that the Rabbi is speaking with the figure of speech in mind, within the figure of speech. See Wittgenstein below for why a figure of speech. Levinas p.89 on another baffling figure of speech: ``We have just seen that the Messiah is the just man who suffers, who has taken on the suffering of others. Who finally takes on the suffering of others, if not the being who says ``Me [Moi]''? ``The fact of not evading the burden imposed by the suffering of others defines ipseity itself. All persons are the Messiah.'' This further explained in Levinas _Outside the Subject_ p.125 ``One's duty regarding the other who makes appeal to one's responsibility is an investing of one's own freedom. In responsibility, which is, as such, irrecusable and non-transferrable, I am instituted as non-interchangeable: I am chosen as unique and incomparable.'' That is, it is the call from the other that makes me unique. So you can see figuratively how my soul has something to do with God, if God has to do with ethics, and my soul originates in the call to me from another. Do not forget the trope, but also translate it. You will find that religions do very well at keeping tropes that translate into ethics. In a way, you will find you believe in the religion, anyway enough so it's pointless to say you don't. The religion is figuratively tracing out the phenomology of relations to others. Here's Cavell _The Claim of Reason_ p.411 on the (inclination to say) soul: ``It may be that the sense of falsification comes from the way I understand the phrase ``have a body.'' It is really a mythological way of saying that I am flesh. But I am not satisfied with this myth, for it implies that I also have something other than a body, call it a soul. Now I have three things to put together: a body, a soul, and me. (So there are four things to be placed: I plus those three.) But I no more have a soul than I have a body. That is what I say here and now. People who say they have a soul sometimes militantly take its possession as a point of pride, for instance William Ernest Henley and G.B.Shaw. Take the phrase ``have a soul'' as a mythological way of saying that I am spirit. If the body individuates flesh and spirit, singles me out, what does the soul do? It binds me to others.'' So Cavell uncovered the ethical trope. Finally here's Wittgenstein _Culture and Value_ p31e on why a trope: (Wittgenstein citing Kierkegaard) ``Kierkegaard writes: `If Christianity were so easy and cozy, why should God in his Scriptures have set Heaven and Earth in motion and threatened eternal punishments?' - Question: But in that case why is this Scripture so unclear? If we want to warn someone of a terrible danger, do we go about it by telling him a riddle whose solution will be the warning? - But who is to say that the Scripture really is unclear? Isn't it possible that it was essential in this case to ``tell a riddle?'' And that, on the other hand, giving a more direct warning would necessarily have had the wrong effect? God has four people recount the life of his incarnate Son, in each case differently and with inconsistencies - but might we not say: It is important that this narrative should not be more than quite averagely historically plausible just so that this should not be taken as the essential, decisive thing? So that the letter should not be believed more strongly than is proper and the spirit may receive its due. I.e. what you are supposed to see cannot be communicated even by the best and most accurate historian; and therefore a mediocre account suffices, is even to be preferred. For that too can tell you what you are supposed to be told. (Roughly in the way a mediocre stage set can be better than a sophisiticated one, painted trees better than real ones, - because these might distract from what matters).'' People who love their religion are in love with the trope, its reach and resources. It is well enough done so you can't avoid (also) literalizing it. There is also garbage religion, just as there is moralism, and the difference is that of good poetry to bad. One effect of the trope, its ``imprecision,'' is that my responsibility to the other is not limited. The slogan would be that it is infinite, but the trope is interested in a true phenomology.