WARNING: The fanfics included here range from G to X ratings, and concern topics that may not be suitable for all people. There are graphics depictions of sex and violence, dark and inappropriate humor, homosexual relationships, heterosexual relationships, bi-racial relationships, bi-curious relationships, bondage, kidnapping, death, child abuse, child sexual abuse, at least one demonic reference, and instance of cross-dressing (actually two). If you are the type of person who does not take well to free-thinking creativity that doesn't conform to your particular religious code of action, then do not go any further!
Season One
Early; Tim disappears investigating a case, and because Frank is resentful of having him as a partner, Pembleton doesn't notice for two days that Bayliss is gone. Feeling more than a little guilty about what might have happened to his partner, Frank regrets how he's treated him. Bayliss is found alive, if a little damaged. Frank takes care of Tim while Kay and Beau investigate Tim's case (long; graphic violence)
Fall; Midnight shift; Tim and Beau engage in a field training exercise in the form of a search and destroy mission in the station house (They chase each other with neon-pellet guns—much to the annoyance of the other detectives). Just a little fun. (medium; no sex)
Night Shift; Kay is having a little fun at Tim's expense while they are on surveillance. (short; sexual situation)
Early; Tim and Frank don't see eye to eye on how to handle two young witnesses on a domestic double dip. (short; discussion of graphic violence; no sex)
Season Two
Between Seasons Two and Three; Part One: Tim reconciles with a bully from his childhood and entertains her son for part of a day. Frank eavesdrops on Tim and Virginia Bayliss in the supermarket. Part Two: a police talent show presents interesting temptations to Frank. (medium; sexual situations)
Between Seasons Two and Three; Tim agrees to go with Frank to a class reunion where he meets Frank's former girlfriend (long; sexual situation)
Season Three
Partners: You Don't Really Have to Mean It
Fic picks up right after episode "Partners". After the grand opening of the Waterfront Bar, where Timmy got more than reasonably smashed, Frank wrestles Tim's keys from him, and drives him home. Trouble ensues. (It's never easy with these two, is it?) (short; sexual situation)
Do you remember that part in "Partners" where Tim is complaining to Frank about how his day with Meldrick as a partner went? Well what if…..(short; sexual situation)
Season Three during the summer between "Gas Man" and "Fire"; Tim and Frank tackle a case of havoc on the highway, with a victim missing most of his right arm. An old friend of Tim's briefly helps them with the case. Tim and Frank use unorthodox methods to gain a lead to a suspect, and then visit his house of horrors. (long; sexual situation; graphic violence)
Season Three during the summer between "Gas Man" and "Fire"; after fics "Partners" and "And Hell Itself Breathes Out"; Tim takes a weekend vacation to get away from Frank, and guess who comes looking for him. (medium; sexual tension)
Season Three—any old time after Tim, Meldrick, and John have purchased the bar and it's actually open. More of a vignette than an actual story. P.S. Song lyrics are from "Return of the Mack" by Mark Morrison. Now….quit imagining ahead. Just read it J (short; sexual tension)
Season Four
Fic picks up the day after "Sniper Two"; Lewis's witness and victim in a case of drive-by murder turn out to be connected to a set of cases belonging to Tim and Frank (wicked chuckle). Introduction of the cuss jar, which turns up in a later story. (medium)
Maybe Tim and Frank are getting in a little shooting practice after the episode "Thrill of the Kill" – one author's wishful thinking about who taught Tim how to shoot and why J (short)
After "Mommy's Little Angel" and before "Dead Giveaway"; an argument between Tim and Frank gets downright out of hand. (short; nudity)
In a universe that could only be considered alternative; Season Four, right after "Stakeout"; Tim has decided to remain in Baltimore, and it all changes from there. Frank and Tim get called to Druid Hill Park, and what should be an ordinary case turns into a little adventure for Tim. (long; sexual situations; cute kitty warning).
After 55 "Work Related" and before 56 "Hostage: Part One"; Desperate to reach and awaken a comatose Frank, Tim takes drastic measures. Bayliss is irritating Pembleton as ONLY a partner can J (medium)
After Frank's stroke, after "Twylyght Sleep"; Frank is being his usual self to Tim one day, and overly friendly the next, while Tim is debating about taking a temporary assignment in a different location while Frank is out on leave. (medium; sexual situation)
The summer between Seasons Four and Five; after fic "Nice"; Tim is on an undercover assignment in Colorado. Frank is keeping up with his partner's goings-on through the letters that Tim sends back home to Baltimore. Voice of the story changes from chapter to chapter (long; graphic sex; mildly S&M romp in barn loft; Bullwinkle hats; Viking helmets)
Season Five
Two days before the Tanya Thomson murder; fic begins with a routine stakeout and ends with the possibility of a permanent rift between Homicide's perfect partners (medium; graphic sex)
Right after episode "Betrayal" and fic "Umbilicus One". Tim goes to the Eve of Destruction and by accident meets up with Tanya. (short; sexual situation)
Right before the rotation to Robbery begins; Frank has to go out of town to appear in court on a case in Missouri, and he takes Tim with him in an effort to patch up the problems between them. (medium; sexual situation)
Takes place during fic "Umbilicus Two"; while Frank and Tim are en route back to Baltimore. (short; graphic sex)
Maybe God Will Cover Up His Eyes
Season Five in the early part of winter; after a particularly hard case, Tim drinks himself stupid and wanders the streets of Baltimore, pondering what went wrong with the case. He meets a mysterious woman who walks him safely home and then seduces him, leaving him wondering if she's real, or if she's an angel or a devil. He never does decide either way. (medium; graphic sex; discussion of violence)
Between Seasons Five and Six; Four weeks before Tim and Frank's rotation to Robbery is due to be up; while investigating a robbery that occurred at a traveling exhibition of ancient relics, Frank and Tim find themselves caught in the middle between a woman and her ex-husband. The song lyrics quoted in the last chapter are from Enya's "Exile". (long; graphic sex; graphic violence)
Season Six
Late in Season Six after the bi-curious story arc is introduced; Tim goes to deliver the 'bad news' to an unusual loved one. (short; sexual situation; gratuitous use of certain celebs)
At the end of episode "Closet Cases"; what Frank is up to while Tim is out having dinner with Chris. Frank is in a bar, upset about Tim being out with Chris. Julianna Cox comes in, and picks a verbal catfight with Frank over her problems with Tim. (short; discussion of graphic sex)
Late in Season Six; deals with Tim's breakup with Chris Rawls. The songs quoted are "Never Let Me Down Again" and "Only When I Lose Myself" from Depeche Mode and "You Look So Fine" from Garbage. (long; graphic sex; graphic violence)
Summer between Seasons Six and Seven. Frank is trying to work up to telling Tim that he has left Homicide, only to find out that Tim already knows. (medium; sexual situation)
Season Seven
While Ballard and Falsone are dating; Author sides with Lewis—I'm gonna be sick. This story involves an ill-used, badly-tossed love note, two well-placed commas, and Timmy being naughty. Also includes are the dangers of irking Gee when he's dieting. (short)
Middle to late Season Seven; how machismo can lead to downfall. (short; graphic violence)
Late Season Seven; before all hell breaks loose. Who says nice guys finish last?? This story involves nothing more than Tim Bayliss getting some. (medium; graphic sex!!)
Late Season Seven; Frank is called upon to fix the Ryland problem; alternate universe (medium; sexual tension)
Beyond
What You Want and What You Get
Post-series and Post-movie; Author trying to give Tim a happy ending and repair the damage from that telepic; I ain't harboring no hostility. (long; graphic violence; mushy love)
Post-movie; take place after fic "What You Want and What You Get". Tim is showing Gabby around the new house he bought. (short; sexual situation)
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