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"Bah. Humbug!"
"Bah, Humbug." This may be the year when there is no Christmas. But to remain open-minded, let me sub-title this "...or the Ghosts of Christmases Past"
Well, if ever I am to be dissuaded of this feeling, of this loss of meaning, it will begin as it did with our hero, Ebeneezer Scrooge; it will begin with the Ghosts of Christmases Past. So that's where this little tale is going next.
That mix - the 1940s, a rural village, and European traditions - conspired to create a unique cultural experience for me. This was an experience that I, unfortunately, took as the norm. I say "unfortunately" because I have always since thought that every child, no matter where they lived nor when, even up to this day, must see this same glorious image when they think of "Christmas". And although this happy coincidence provided me with an unbeatable memory, the unfortunate fact is that it provided me with an unmatchable experience - and it was bound to be all downhill from there by comparison.
It was the 1970s, I think, when "The Holidays" evolved into "The Holiday Season." I believe the motivation here was a bit more transparent. It used to be taboo to run Christmas ads or put up Christmas decorations or stock the shelves with Christmas merchandise until after Thanksgiving. It was mere hours after, but after nonetheless. These were different holidays, after all, and just as you do not eat dessert before your salad, you didn't start celebrating Christmas until the Thanksgiving turkey was at least partially digested. But merchants were already recognizing the potential loss of profits that restricting sales to only the five weeks before "The Holidays" implied, and so the invention of "The Holiday Season", which some might imagine was meant to include the joy of the Thanksgiving feast, also gave license to putting up decorations, stocking the shelves and running endless commercials in the media enticing "Christmas" shoppers to the stores - not weeks, but even months before the sacred day.
I expect that the "Holiday Season", like some sluggish racing car on the annual track of time, could be "lapped" by itself, and we could see the commercial push for next Christmas start even before this Christmas is over. And commercial it has increasingly become. What, in Victorian times, was a modest exchange of a few tiny gifts when visiting friends and family during Christmas Day, now has become an orgy of buying. Sometime in the 1990s, as I recall, "The Holiday Shopping Season" was born, in recognition of this fact. The equal billing given to "Holiday" and "Shopping" redefines the celebration and puts the emphasis indeed where it now belongs - on buying huge presents, enhancing the profits of merchants and malls, and this season underwriting the damaged American economy with what has become an act of patriotism and basic citizenship. And Christmas morning has become just an excuse for given all these gifts away. Even that event of mutual exchange has lost much of its definition, diluted by the new Christmas tradition of "returns and exchanges" days - new rituals that produce a new sort of celebration.
I expect, in the coming years, and not too many at that I suspect, we will see "The Holiday Shopping Season" become "The Shopping Holiday Season", a mere word-order adjustment, and then, in a final burst of "truth in advertising" - "The Shopping Holiday". The circle will be completed. Evolution fulfills itself. Survival of the fittest. All worship our Holy Savior and Master(card).
So I join him in the sentiment - "Humbug!" But it wasn't always a humbug.
But the most spectacular part of the trip to Oneonta was the visit with Santa and Mrs. Claus. They were ensconced, for the Holiday - I mean, for "Christmas" - in the basement of Bresee's Department Store - down where all the toys were, appropriately. And this was the real Santa, not some store Santa hired off the unemployment line. It was 1948 or 49 and it would be years before I would see Santa look-alikes around the city, or hear the perfectly plausible explanation that they were "Santa's helpers." ![]() But Santa and Mrs. Claus, for some unfathomable reason, chose to come only to Bresee's Department Store in Oneonta, New York, on Christmas, and I never questioned why. How do I know they were real? Because these were real people - he with a real white beard and flowing white hair, and she with real wavy white hair, and both in red clothes trimmed with fur. Clearly now, I have gradually come to accept that perhaps this was just an old couple who looked that part, naturally, and who, while life clung to their existence, chose to provide this unsurpassable service to the children of this piece of the world every year. I wish I knew the whole story - but probably I prefer that no-one tell me. For as a kid, in these years after World War II and before Korea, I had the inestimable privilege of meeting Santa and his wife, if ever there was such a pair in the universe. No amount of stand-in Clauses wearing fake beards and off-the-rack red suits can dim that recollection, or replace it.
The next day it would go into the old iron tree stand and up it would be set in the parlor - what we called the "front room". We had an old house and this room was separate from the regular living room. It was a room used rarely, except on special occasions. The most special occasion of all was Christmas, when the room became, by virtue of holding the tree, an integral part of the living space for the duration of the Holidays.
And when they were plugged in - what a glorious sight. I don't know if we all went "Oooh and Aaah" but I think it must have been like the scene in Tiny Tim's house when the Christmas Pudding was brought flaming to the table. It was the most anticipated of the Christmas rituals, and once the lights were lit, we all knew the trimming of the tree could now begin in earnest. Of course there could be complications. These were the old light sets - the ones where if one bulb burned out, they all went out, and the process of clambering over the tree screwing and unscrewing bulbs to find the bad one could take what seemed like hours. But it was part of the adventure, and anyone who lived through a Christmas with these old lights will know what I mean.
Oh to have that box today, full and intact. For I recall, in the late 1940s, it contained wonders that today would merit preservation in a museum. Some were German hand-bown glass that my Grandmother had carefully brought from the old country. Some were "new" (for the 1930s and early 40s) handmade glass ornaments from eastern Europe - perhaps purchased during the war years, or even before. Frosted glass fruits, tiny bells of glass that actually rang, round glistening balls of all sizes and descriptions. The most precious of all was the little hand-blown house - Santa's house, we were told, and believed it. The positioning of this was most carefully considered. And when the last ornament was hung and all the empty clutches of tissue were pushed back into the boxes to be used again, & again, then came the ultimate act of transformation - the tinsel. Yes, we were dedicated tinsel hangers. And not just hangers, we were precision hangers. Each strand was carefully separated, often by hanging the compacted package of tinsel over the back of a chair and carefully separating the mass into what seemed endless subdivisions of strands. And then each individual strand was carefully hung - positioned over each branch at intervals of about a inch apart and hanging straight down. So we had to get it right. No tossers or clumpers in this family. The end result was an array of cascading silver that my father called "icicles". This was not to be confused with the twisted glass icicles we also hung on the tree, along with the little glass clip-on birds with the fiber tails, that kept coming loose, or the multitude of red berries, in pairs of two on wires that were folded over branches to complete the effect. And the effect was magnificent. I never considered the tree was truly finished until the last strand was hung. Even decades later, when I would visit a house where they did not tinsel their tree, it made me uneasy - like it wasn't really a Christmas tree. Such bland trees looked rustic and barren - and carelessly done. The millions of silvery reflections produced the magic I remember. Perhaps it was the loss of that shimmering illusion, so unlike anything in nature, that upset me when I saw these "naked" trees. And this was not the modern tinsel - mylar and plastic. This was the old lead tinsel. Do doubt poisonous to handle, heavy and more of a pewtery shine than true silver. But anyone my age, who got an electric train set for Christmas back then, knows that nothing gives as much pleasure on Christmas Day as laying strands of real lead tinsel across the tracks and watching it sizzle and burn when you turn on the juice.
Now, many, many years later, I am told our trees were little things, often put up on a wooden box to give them height. They maybe were less than five feet tall. It can't be. There is no way what I recall - those endless expanses of color and mystery - could have existed in such a small reality. The decorations did not end there. Red cloth poinsettias on wires, with yellow berries, were hung from thumbtacks in every window; garlands of evergreen graced tables and sideboards; and the Christmas log came out - a section of white birch with holes drilled in it for candles and some sparkles pasted on. This was set within the greens and long red candles stuck into it for the crowning treatment for the sideboard, or in earlier years the main table. And in later years, the two carved German candles I brought back from my mis-adventures in Germany in 1962 were always carefully set out - un-lit - next to the telephone. And on the TV, a sculpture my little brother made in clay. He said it was supposed to be a bear, but my mother insisted it was a madonna and child, and you cannot look at it now and see anything else in it. So it also has become an icon of Christmas. And days before, my Dad had strung the outdoor lights - strands of the same big bulbs around the porch posts. It was most satisfying on a cold wintry night, to be coming down the street from Uptown and see the blue, red and green lights outlining our porch and knowing good times and great feelings were awaiting inside. And with the tree done and all in order within the house, it was time to look outward - to engage with the rest of our tiny village of 350 souls in the community celebration that made small town life special back then. At some point before Christmas Eve, we would all go to the church to hear, and sing, the carols. These were the real, traditional carols - none of that "Rock Around the Christmas Tree" jazz, or even "Rudolph". And there was the pageant of the manger scene during the Bible readings. The religious core of the festival was thus carried forth.
And there was the village Santa. I say "Village Santa" because I think I knew he was not the real one - the one in the toy section of the basement of Bresee's Department Store. We children all lined up to greet this Santa, while his assistants dug down into a great cardboard box and brought out for each of us a red mesh stocking filled with goodies - an orange at the bottom, candy canes and, I think, a small toy or Christmas comic book. This was the first of the gifts and the beginning of the excitement of getting surprises - anticipated but unknown surprises. There was not a hint of commerce in it - no one hawking photographs with Santa for $6.99. I think the volunteer fire department put the thing on and it reaped in memories and sense of community many times the investment of time and donations that went into it. Then it was off to home, and the young ones were given cookies and milk and tucked off to bed so Santa could come. In our later years, my brother and I, if particularly excited and demanding, would get permission to select and open just one present on Christmas Eve. I guess in spite of Santa bringing the bulk of the presents in the night, the ones marked "From Aunt Lottie and Uncle Eggert" or "From Cousin Doris", had come by a different means, and were already arranged around the base of the tree. I always imagined this violation of the sanctity of Christmas Morning would put in my possession some marvelous toy and endless hours of entertainment. But the selected present was invariably a box of handkerchiefs or a set of underwear. On a good year, it might be a flannel shirt with cowboys and Indians on it. On the influence of that disappointment, we were often glad to be off to bed and hasten the arrival of the good presents expected in the morning. Our first clue, next morning, that Santa had come, as the tree and gifts were in the parlor and not immediately visible from the bottom of the stairs, was that the offering of cookies and milk we had set out for him the night before had been accepted. Only a few crumbs would be left as evidence, and in later years I took some pride in crafting a completely convincing post-Santa Christmas cookie plate, with just the right scatter of crumbs and fragments. Of course I had been initiated along the way into the secrets of the cookie plate, and having eaten them myself the night before, I felt I had participated in a sort of pagan communion with the Spirit of St. Nicholas. But I always felt a little twinge of guilt, eating the cookies left for Santa, as if perhaps he was real, and I was violating that reality and depriving him of his snack. Christmas morning was a grand event. Once all the treasures had been revealed, and the wrapping papers had all been bagged and removed from the parlor, we carefully placed each and every gift, the underwear included, around the base of the tree. And during the day, and into the evening, each in turn would be selected, explored, played with and admired, creating little mini-events - each with its moment of discovery, its period of enjoyment, and the inevitable aftermath of "what else is under the tree". And the food. That is a whole story in itself. My Mother and Grandmother cooked and baked for weeks, it seemed. There were tins of cookies all over the house - of all descriptions. Each box was filled with layers on layers, each separated with sheets of waxed paper. The cut-out sugar cookies in all shapes and colors, the German pfeffernuise, that tasted of pepper and spice, and had to be eaten in moderation. The wonderful Christmas stollen my grandmother baked, tins of dates, sweet and sugary in themselves, and others split and stuffed with almonds and dusted in coconut. And fruit cake. I never understood the public aversion to fruitcake. It was always rich and wonderful. And then there was the year my Mom made those rum balls - brown and tasty, using rum extract. I am sure the alcohol had no effect, but it was nearly scandalous, in a strict Baptist household, to even have a confection with the word "rum" in it inside the walls. And we had great fun pretending each one made us tipsy, and that these were our favorite Christmas treat. I think they were kept in my favorite tin - the box covered all over with pictures of ships from World War One - strange battleships and cruisers with those snouty bows, big guns, and each identified by name. That box was an entertainment in itself.
On Christmas Day evening, we were invited to carol singing in the home of the village doctor, just up the street. This was a somewhat formal affair, by comparison, as the Doctor's family represented a sort of upper-crust in the village. He actually listened to opera and classical music on Sunday afternoons on his "Hi-Fi", one of the few in town, while the rest of us were lucky to have a decent radio. But it was an event that in later years came to symbolize the best of the concept of sharing and community. The house was always decorated, with tables of greenery and red candles, trays of cookies, a punch bowl filled with egg nog, fruitcakes, and of course, carol singing around the piano. They had a grand piano in the living room, which in itself set them apart from the rest of the town, and it was around this that the eight or ten of us invited, stood and sang our hearts out.
Well, that about sums up the Ghosts of Christmases Past. It was a story that I have told and retold in my head for decades, and to have finally set it all down feels like a weight of responsibility is lifted - kind of like Scrooge felt the morning after his ghostly revelations. I guess carrying this story around in my head was a burden in an age when oral history - the retelling of traditions in order to preserve them - is not thought of much. Having set it down, I now feel like I have passed it on, and the burden can be lifted. Maybe that is what lies at the core of Christmas in the end - traditions, sharing, family and friends, and preservation. It isn't all "Humbug" after all. I still say "Bah" to the commercialism, and this year to that obnoxious overlay of rampant and shallow patriotism, that has substituted the colors red white and blue for the traditional lights of the season. But for the rest, I guess, like Scrooge, I am now looking for a boy in the street to go running to fetch me the Christmas goose for a shilling. And if he hurries back, I'll give him "Half a Crown". Time is valuable, after all. And now, in my 60th year, I find it is suddenly all about time, and time is the enemy. We can't hold onto it, the past that is, but we can bring forward the past and preserve it as part of the present, and that is the best that we can do. Postscript: It occurs to me, now, that in the latter part of our lives, Christmas is mostly about the memories we created in the former part of our lives. It is about reliving the rituals of mid-winter festivals - Christmases past - that were significant benchmarks of how we got to where we are now. That Christmas Present is like the unwrapping of all those antique ornaments in the old cardboard box my father brought down from the attic - each a treasure and each with its own special story attached to it - just waiting to be retold - to be preserved by being remembered. And it occurs to me that I have already known this, for at least the past twenty-two years, for what else has it been about when I crafted Christmas ornaments all these years since Meghan was born; each carved out of the butt of the previous year's Christmas tree. Each ornament is indicative of some special aspect of that year past, of that year's occurrences, of that 12 months of our history as a family.
Was not that, after all, the purpose that Dickens assigned to the Ghost of Christmas Past, and was not the recollection and vicarious re-living of these past Christmas experiences the essential first step in Scrooge's enlightenment? Home Top E-mail me |