The horoscope at the moment of my birthin red October, between world wars and
revolutionshows that Venus stood in Lepus, the Sign of the Hare, under Michael's
Sword, which augured long journeys and that I would often sleep alone. At my birth the stars
Astarte and Moloch stood in Aspis, the Serpentwhich foretold revolutions and wars,
bayonets and blood, burnt cities and fleeing mothers, as well as long trains of refugees who
would fill
the roads in many lands. The planets Shiva and Baal stood in Carnifex, the
headsmanpresaging a time of slavery and prison, with millions in captivity, surrounded
by
endless barbed wire. The planets Uranus and Pluto entered into conjunction in Pardus, the
Leopard,
and slowly proceeded on their wayas agents of the heavy elements uranium and
plutoniumthrough Lupus and into the constellation Arachne, where they brought to pass
cities leveled to the ground and charred bodies by the hundreds of thousands.
Moment of Freedom (1966)
Power, which is the sole existing principle, means only one thing: the opportunity to cause
others pain. . . .Authority claims truth for its own. The law claims to be just. Power calls itself
freedom because freedom consists in perceiving necessity, which is to submit to
power.
Moment of Freedom (1966)
They are absolutely not militarists, and if they were allowed to own everything in the world
without fighting for it, they'd prefer it that way. They want. The world is my breakfast.
Moment of Freedom (1966)
Europe today has a long and painful history of illness, a history of preferring lies to truth,
gold
to human kindness, power to understanding. We've preferred the disease to the medicine. And
we've exulted over our false, bloated, sick health, we've prayed to the Caesars and we've cried
"give us Barabbas" for two thousand years. We've eaten with the murderers and
scorned
the victims. And we don't even have the excuse that we didn't know better. We've known of
other
possibilities all along, we've had an almost free choice between understanding and violence
and our choices stand there in the history of our own sickness like milestones: gallows,
stakes, and crosses.
The Silence (1973)
To write the history of Peru is to write the history of colonialism; first come the soldiers,
then
come the priests, then come the ravens and the jackals. Then banks and business concerns are
founded, for we shall inherit the earth in all its glory.
Wherever you look you find the same faces, the
same
deeds, the same spirit. Through the fair kingdoms of earth we march to Paradise with singing.
We
have sanctified the injustice.
The Silence (1973)
The murderers, muggers and thieves appoint themselves "the motherland," and
it's a
strange motherliness they show to their black, brown, yellow, and red children. Never has the
world
seen such mother love. Never has it seen more bloodthirsty mothers. Everywhere there's more
gold
to be looted, the pillaging goes on and on, hand in hand with the oppression of the legitimate
children back home in Europeand the curious thing is that it's the same circles of power
which are involved in both cases. The power and the wealth are gathered into steadily fewer
hands.
Thine is the kingdom, Amen.
The Silence (1973)
"I don't understand why you all take Hitler so seriously," Ali replied.
"He's a
rainy day. . . . I really don't understand what you all get so excited about! It's instructive for you
to be
treated yourselves for once the way you've been treating others for centuries. You ought to be
grateful to Hitler: at least you've learned something from him or at any rate could
have learned something from him."
The Silence (1973)
PICCOLINO: During the war between France and Germany the Germans occupied
France. When winter came around the Germans needed fuel. The French government
had fled the country and sought refuge abroad. In order to get wood the Germans
issued a decree requiring French farmers to turn over their wood to the Germans.
Sabotage would be punished by death. On its side the French government decreed that
all those who did not sabotage the Germans would be punished by death.
According to international law both governments were right. Who was
wrong?
The civilian population, of course. The
French people were guilty no matter what. Either of sabotage or collaboration.
Whatever they did they were to be punished by death! For both are punishable under
international law. In time of war the civilian population is always wrong.
The Bird Lovers
(1966, tr. Timothy Schiff)
PICCOLINO: The world is ruled by typewriters, police and money. But the greatest of these
is
money, for he who has money, he has the police also. Money can move mountains.
The Bird Lovers (1966)
Whether the Lord sends plague or famine or Americans or inflation or Germans doesn't
matter;
it is the powerful he sends: storms, hurricanes, generals or other monstrosities. The play
is
about us we who let ourselves be bought. You don't blame the the wind and the
rain. You blame the people who are too dumb, too cowardly, greedy or apathetic to protect
themselves against the wind and the rain.
"The Bird
Lovers: Letter to Peter Palitzsch" (1967)
We're outmoded because we still talk about the "European Economic
Community"
and the "Common Market"which is today called "the
Community".
By changing the name they've managed to remove the two ugly words which originally belonged
here: They got rid of both "economic" and "market." What's left is just
one
big fellowship, a purely idealistic program, a community made spiritual, from heart to heart.
"Greetings from the
good
society" (1972)
Our present society regards its academic youth as future passive instruments for capital and
for
the state, aswhen they've finished their educationhighly qualified, highly
specialized
and highly paid slave labor for industry and the military. The student youth are expected to be
fed
dully and docilely with specialized knowledge like passive humuculi, so as later to serve the
politics
of violence. The so-called "unpolitical" atmosphere which the older academics
dream of
within the universities' hallowed precincts is not an apolitical sphere, it is a deeply conservative
and
authoritarian world, where the supremecy of the "state" (i.e. the existing one) is
tacitly
taken for granted. We expect of student youth that they will put up with being used, with
being "manipulated" by us, without being asked, without expressing themselves, but
just
blindly to carry out the wishes of those in power.
"The Colonels and
Us" (1969)
Small children are taught to memorize this verse:
Fight for all that you hold dear,
Till your dying breath.
Then you'll find you need not fear
Either life or death.
But when the schoolboy becomes a man, and takes the consequences of this teaching, they
put
him in prison. Provided of course that he holds his own judgment dear, his own opinion, and
that
his judgment is in conflict with that of the state and the public. It is expected of a good citizen
that
he should "hold dear" the same things the state holds dear, such as atomic bombs,
planes
and rockets-and these he should fight for.
"Pornogr
aphy
in Norway from Viking times to the present" (1967)
E32. The "political objectors" to military service are publicly described as a
"problem." The opposite is the case: Our problem is that there is in this
country such a dull and authoritarian youth that we still have young men who place themselves at
the
disposal of the oppressors of freedom and humanity. Our problem is that we have young
people in this country who are willing to use force to support the governments of Turkey, Spain,
Portugal and many other police states in the oppression of the inhabitants. What shall we do with
this youth? What shall we do with a youth who are willing to place themselves at the disposal of
the
colonels?
"On political refusal of
military service" (1969)
Q. Are you a pacifist, Bj rneboe?
A. Completely, absolutely!
Q. And yet you haven't participated in or
contributed
very actively where the peace movement is concerned?
A. No, I have a bad conscience on just that point.
It
is as if something has been holding me back, a feeling that it has been too nice, so to speak. I
believe
in a warlike pacifism, in a true spiritual battle with the stress on the last part, i.e. battle. I
believe it can form the point of departure for a whole new cultural life. But then we must be
gathered, all who share the same opinion, to give it the greatest possible clout.
Interview in Orientering, 13 feb
1965
(Kjell Cordtsen)
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