A growing record of our extended family's lives and times

 

The DeNoons of Monterey County, California

Betty, Nell, Alicia, and their brothers James and Ray DeNoon, were the brood of Reason Ray (a name whose origin we can only guess at, but which finds itself now in its fourth generation) DeNoon and Virginia Kathleen Williams.

Kathleen was Ray's second wife. When they met, he was a widower with a 7-year-old adopted son, Joe (born Arlie Shoop). His first wife Lulu (nee Beamer) had died as the tragic result of a distressed pregnancy in which both mother and newborn perished.

Kathleen and Ray Sr. were 17 and 37 years old respectively, when they married in 1918. Kathleen and Ray delighted in each other, and built a family upon that strong foundation.

Kathleen was the daughter of a schoolteacher and his wife, Vern and Molly Williams. By contrast, Ray could neither read nor write, but he was a talented musician. So, he taught her to play. She, however, was never quite able to teach him to read. His daughters suspect he was dyslexic, but they didn't have that word back then.

Photo taken on wedding day, 1917
The bridge gang Still, the man could do most anything. . . and did! In his lifetime Ray worked on a bridge gang for the St. Louis and San Francisco Railroad (which is how he is pictured in the photo at the left; he is the man kneeling, all the way to the left), as a policeman, and even as a member of the Cincinnati Redlegs baseball team. "He was brilliant. If he could read there's no telling what might have become of him," Betty recalled.

Ray did his best to keep his family from want. He had grown up in poverty, born in February of 1880 in a log cabin in rural Iowa. Little remembered now, that was a time of a severe economic depression which cost U. S. Grant his presidency.

The winter of 1880, the week before Christmas, the cold was so severe in their little home, Ray's 7-year-old sister Julia Ann could not get close enough to the fire. A coal caught the fabric of her nightgown, and the gown burnt like a match. Though her brother and father caught hold of her as quick as they could to put out the flames, her burns were so severe that she was dead by morning.

Though not his own memory, this story was strong and vivid enough so that, in that other, more infamous time in our history when money was scarce and fertile land becoming scarcer, Ray DeNoon made ends meet by doing whatever he could — carpentry, trading in livestock, huckstering. "He couldn't read," Nell recollected, "but he could sure trade! He would take a hound dog or old fiddle out and always come back with a truckload of something. During the Depression, he left with a fiddle he'd cleaned up and came back with a truckload of food — sugar and flour and things like that. . ."

Betty continued the thought, "I remember once he went to town with an old washer and came back with a load of watermelon."

Poverty was no excuse for incivility, though. The schoolteacher's daughter and the musician made sure that their children kept kind tongues, open minds, and warm hearts. Strict compared to today, the parents would harbor no swearing. "We thought cussin' was ‘Daggone son of a gun.' That was cussin'!" Nell said. Then Betty chimed in, demonstrating how much more lenient her mother was than her own parents. "Mother told us she couldn't say ‘bull' as a child; she had to say ‘he-cow'!"

Nell reports that her folks were very sensitive to racism. Children in their household were not to speak disparagingly of anyone of another race; the mix of their own blood judged them. These DeNoons claim roots among the Cherokee, Italian, French, Scottish, Welsh, and German, even the Mayflower English! "Mom always told us we never could talk about anybody because we were that." They, as well as children and grandchildren of theirs, have married into families of Native American, Hispanic, Italian, African descent, and more.

The family in the studio at KGBX
The photo above shows (from left) Kathleen, Ray, Jim, Ray Jr., and Betty before a performance at the National Folk Music Festival.
"When you're entertainers," Betty said, "you don't pay attention to another's color. It's ‘Can they make music with you?'"

A cherished memory of an actual acting-out of the reversal of race-roles is of the dress their mother wore in the 1934 St. Louis, Missouri, National Folk Music Festival, where the family won top honors. According to a 1991 interview with their mother, Alta Vista Magazine recounts how one of the organizers

said she wanted Mrs. DeNoon to "dress as an Ozark woman. I knew what she wanted, the way women had dressed 40 years earlier, and I had seen a black neighbor wearing clothes like that. So I went to Mrs. Bagley and told her she had something I wanted to borrow. She brought out some beautifully starched and ironed dresses, and I chose one and a long white apron. I added a knitted collar."
    Wearing that dress Mrs. DeNoon, playing her double-necked guitar, sang in "so many states I can't remember them all." (from "Music to her ears" by Bonnie Gartshore, Alta Vista Magazine, October 27, 1991, p. 8.)

It was during this period in their lives that the family began to gain some financial footing. They moved from Eminence, Missouri, to Springfield. Ray, now also known as "Fiddlin' Bill" became renowned as an expert fiddle-player and folk music composer and arranger. His talent with the bow gained him the enviable title of "Colonel" among his colleagues.

Connections with other musicians grew, and their home in Springfield became the site of many an impromptu music festival. Nell remembered, "We used to go to bed at night, and somebody was singing and playing music, and when we'd wake up in the morning, there'd be somebody singing and playing music."

"And Mother would feed them all," Betty added.

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