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I have an enormous number of hobbies, passions and what-have-you's and would probably pursue even more if the days were longer (not that I manage to pursue all the ones listed here with the regularity I would like).  I've sometimes thought that the fact that I love so many things is as much a great weakness as a great strength but, as they say, there's no cheese down that tunnel so...

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All my education is in music and I'm pretty much always making music in one fashion or another (even if it's just playing hand-drums in drumming circles).  My first wife, Michelle, was a professional singer who was one of the biggest proponents of my music.  After she died of cancer, I stopped composing and had a rather passive relationship to music for many years.  Thanks to both the inspiration and support of my dear friends in the band, Groovelily, I've finally crawled out of my compositional cave and have started actively making music again.  You can read more about that elsewhere at this site.

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One of the ongoing sources of my passion for life stems from a personal development workshop I did several years ago called The Landmark Forum.  In addition to taking several other courses offered by that organization,  I've been doing  volunteer work off and on for them ever since.  That, also, is documented elsewhere on this site.

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David at top of Nevada Falls (Yosemite) I'm a great lover of the outdoors and am a strong supporter of the Sierra Club and the National Resource Defense Council. Although I tend to stay inside when the weather's cold, the warmer months frequently find me on my bicycle or hiking in the woods.  Lonna and I spent our honeymoon in Arizona where I fell in love with the magical Red Rock formations all around Sedona.  Despite my occasionally serious fear of heights, we still did a significant amount of scaling up treacherously narrow paths and clambering over boulders to check out the spectacular vistas.  Other visits out west have also had me doing lots of hiking, climbing and rafting, especially in the Grand Canyon and in Yosemite Valley.  Interestingly, with only a small degree of conscious deliberation, a great part of my vacation planning over the last few years has had an underlying theme of "do what scares you the most."  Perverse though that may sound, it's provided some of the most spectacularly memorable moments of recent years.

The cold weather usually has me staying indoors more (or outside in my hot-tub!).  I do quite like to go for walks on those brilliantly crisp and sunny winter days as long as the wind's not too bad.   I keep saying I'm going to take up cross-country skiing but we've been having mostly rather mild winters of late so I haven't had the opportunity.

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I read vociferously in a number of areas, both fictional and factual. My tastes include science fiction, novels which deal more with human emotion and character development than plot (although I'm not above the occasional fast-paced adventure), history of science and technology, psychology, spiritual development and well-written erotica. If you browsed my bookcases, you'd find large doses of Douglas Adams, Isaac Asimov, Arthur C. Clarke, Michael Crighton, Robertson Davies, Herman Hesse, John Irving (my hands-down favorite author these days), Gary Larson, Robert Rimmer, Kurt Vonnegut and John Updike (to name a few). I also go on poetry kicks from time to time with Gerard Manley Hopkins towering above all others for me.   In more sentimental moments, I also get quite fond of the free-verse style of Peter McWilliams.

Given my penchant for reading, it's probably no surprise that I'm also a fairly regular theater-goer (especially during my rather regular trips to London).  I must confess, however, that I don't pursue that with the same kind of rigor which I give to music, reading or even my outdoor activities (in other words, I love the theater but I can't claim to be terribly knowledgeable about it).  I tend to lean towards a mix of sophisticated comedies, British farce and mysteries.  I'm also drawn to almost anything that deals intelligently (either seriously or humorously) with sex and sexual situations.  I do have some favorite stage actors which, because I mostly go the theater in London, tend to be British.  The list includes Derek Jacobi, Louise Jameson and John Gielgud (alas, departed from us now) but I'm frequently (pleasantly) surprised by new British actors I've never heard of...most recently the delightfully funny and warm Janie Dee who is finally coming to these shores in the New York production of Alan Ayckbourne's Comic Potential.

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After Michelle died, I stopped making music for quite a while, but even during those "passive" years, I never stopped listening to music.  My favorite composers (in roughly chronological order) include Ockeghem, Bach, Mozart, Beethoven, Wagner, Brahms, Puccini, Mahler, Schoenberg, Carter, Henze, Martino, Babbitt and Anderson (Allen, not Leroy!). When I listen to jazz, it's generally Dave Brubeck, The Manhattan Transfer (but only their vocalise- style stuff...their top-40 stuff doesn't do much for me) or big-band music.  Buddy Rich (both as a drummer and as a bandleader) has been a great favorite of mine ever since I was a small child and, after all these years, I almost always return to his recordings thinking "Wow!  He's even better than I remember."

 

         

Click for more on who I like to listen to.
I also listen to a fair amount of pop music (more so when I'm driving). This is mostly old progressive rock groups.  I prefer keyboard-dominated over guitar-dominated groups and like a fair amount of acoustic instruments included (I don't mind loud guitar-oriented stuff if it's well-structured but I have little patience for ego-centric guitar solos). I grew up on the big progressive-rock groups like Emerson, Lake & Palmer ("...but what about ego-centric keyboard solos?" I hear you ask...yes, I agree, Emerson does go there sometimes but when he's just playing (rather than showing off), I think this is wonderful stuff), Yes, Jethro Tull, PFM, Renaissance and Focus. I then had many years of rigorous classical training so I’m fond of heavily classically-influenced stuff...all the more so if it’s highly contrapuntal and rhythmically very irregular. Throw some very intricate vocal arrangements into the mix and I like it even more.  It's unfortunate that I only discovered Gentle Giant many years after their demise but they've become regular fixtures on my MP3 player these days as well.

 The  more jazz-derived "Canterbury" school (Egg, Hatfield & The North, National Health, Bill Bruford) holds a certain interest for me as well but more so when it leans toward a heavy dose of "modern-classical" (I actually hate that nomenclature but I guess it's meaningful to some folks).  I've discovered these latter groups fairly recently and am continuing to find new ones that I like. I also listen to various groups that have descended from either the "classical rock" or the Canterbury schools of progressive rock (Kansas, Starcastle, Dave Stewart & Barbara Gaskin).  

 


click for my list of the top 25 progressive rock records
Since the turn of the millenium, my primary musical focus has actually been the ever-growing vibrant world of independant rock and folk artists.  Groovelily, Grey Eye Glances, Sam Shaber, Susan Werner, Kyler England and Willy Porter are among my favorites.  You can click on the button on the right to read  more about them.

click for my list of favorite independent bands

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I'm a great art lover, being drawn, in general, to anything that is rich in details, regardless of style.  I lean towards abstract work (or work which, through its intense focus on background elements turns a nominally representative style into a near-abstract discourse (I'd place a great deal of medieval manuscript illumination and a fair amount of religious Rennaisance art in this latter category).  I'd be hard-pressed to list my favorite artists although the list would have to include Leonardo da Vinci, Vermeer, Raphael, Bosch, Monet, Renoir, VanGogh, Piccasso, Chagall and Miro.  To the extent that I can afford to collect artwork, I favor medieval manuscripts and some of the lesser-known contemporary artists and Lebedong, LeKinff and Boulanger all hang on the walls of my home.      

click here to see some of the original artwork I've acquired
 

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I travel fairly regularly (I'm not very fond of it for work but love it for pleasure). Over the years, I've been in about half of the United States and most of Western Europe.  Some of the places I've been to are:

  • Europe (England, France, Belgium, Holland, Germany, Switzerland, Austria, Greece and Italy) (three months in 1978)
  • South-eastern United States (two weeks in Spring, 1980)
  • Vermont (Various Composers Conferences, summers of 1979, 1980 and 1981 and a bicycle trip in 1996)
  • Baton Rouge, LA for an American Society of University Composers conference (Spring, 1983)
  • Columbus, OH for an American Society of University Composers conference (Spring, 1984)
  • Ann Arbor, MI for a music theory conference (Spring, 1985)
  • Southern England (three weeks in fall of 1990)
  • Southern and Central England (three weeks in Fall of 1991 and another two in the Spring of 1998)
  • London-Vienna-Katowice-Krakow-Vienna-London (ten days in winter of 1994)
  • California (two weeks in fall of 1994 and two more weeks in summer of 1995)
  • Chicago (numerous trips since meeting Lonna in 1995 since her sister lives there)
  • London (have been spending a week or so there every six to twelve months since 1995)
  • Arizona (my honeymoon in September, 2000 (I LOVE Sedona!) and a return visit in September, 2001)
  • Bermuda (Thanksgiving, 2000 and a return to higher temperatures over July 4 weekend, 2001)
  • Cancun (Thanksgiving, 2001)
  • California (once or twice a year since 2001.  Most of the trips include a visit to the Sonoma and Napa valleys and/or the Carmel area but they pretty much ALL include a substantial chunk in Yosemite...I just can't get enough of this place!)
  • Puerto Rico (Thanksgiving, 2003)
  • San Diego to see this year's performance of Groovelily's Striking 12 (December, 2003)
  • Santa Fe (Thanksgiving, 2004)
  • Panama (Thanksgiving, 2005)

As of this writing, there's still a lot to do on it but soon you should be able to go to the Travels section of this site to see a lot of pictures from these trips.

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Dressed for troubleI love dance although it's been a while since I've been to a dance concert. It's another one of those areas in which I'm not terribly knowledgeable.  My preferences are for a mix of very graceful (and occasionally athletic) modern styles.  Ballet does not, as a rule, call very powerfully to me but I can have fun with tap from time to time.  I'm always up for anything that is playfully nventive (like Stomp or Pilobolus).  I can't really claim enough knowledge of the field to list favorite choreographers except for Alvin Ailey and Paul Taylor.

I also love to dance and one of my great passions is my twice-monthly visit to Dance Improv where an enormously varied group of people interact in a rather loosely-structured free-for-all that at it's best approaches reasonably good modern dance (I'm not sure I'd want to watch it, but it certainly feels like reasonably good modern dance!)  I've taken a few modern dance classes and, several years ago, I had the occasional flights of fancy wherein I saw myself dancing on stage.  Having dated a professional dancer for almost a year (once upon a time), however, I've got some idea of the degree of commitment it takes to make this happen and I'm very clear that I don't have it! (oh yeah...that talent thing...that was the other part I was missing).

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I go in and out of indulging my love for the movies.  As with my reading and theater-going, I'm more drawn to movies about people than about situations (although, again, I'm not above the occasional fast-paced thriller).  I love intelligent comedies and am also something of a sucker for love stories (the joke in our house is that Lonna likes the big noisy shoot-em-ups and I like the sentimental chick-flicks).  Well-made historical costume dramas are another big draw for me and I'm happy to say that there have been a number of fairly impressive entries in each of these categories over the last few years.

Big­budget­how­many­things­can­we­blow­up­while­we­run-away­from­exploding­fireballs spectaculars almost always bore me.  If the special effects are truly special, that might hold my interest but films in that category don't come along more than once a year at best (once every three to five years is probably more like it).  Even with these, the special effects had better be in aid of something (beyond getting people to the box office!)  I hate films that disregard the intelligence of the audience (whether through belaboring obvious plot connection, leaving huge holes in the plot, subjecting us to unconvincing anomalies in a character's behavior or relying on clichés to forward the motion).  For the most part, I abhor gratuitous violence in films (gratuitous sex and nudity rarely bothers me unless it actually gets in the way of things) and don't feel really good about it even when it's in aid of the plot (I'm not a strong believer in re-incarnation but if I did live before, I'm pretty certain I died a pretty gruesome death in World War II).  Pulp Fiction and Fargo (two of the most grisly films I've seen) were notable exceptions but it was in spite of the violence, not because of it, that I liked them.  I've got a lot to say about sex and violence in general and there's another page on this site which goes into that in more detail.


click for my list of 50 favorite movies

 

As in so many areas of my life, I'm very attuned to details in films.  I love, for example, the incredible wealth of nominally throw-away stuff with which Peter Jackson and his crew built other worlds in the Lord of the Rings films.  The detail has to be accurate (or at least plausible) however, and because of this, I have a lot of trouble with films that deal with music, computers or science in general.  Almost everyone in the movie industry seems to be so incredibly unaware of what really goes on in these fields that we are routinely subjected to images of composers tapping out tunes on a piano and then dutifully scribbling them onto paper a phrase at a time before they forget them (I've been a composer nearly all my life and have yet to meet a classical composer (and very few pop composers) who work that way), talking computers whose sole display is a light that flashes in sync with the computer's "voice" (HAL in 2001 was a wonderfully refreshing exception to this) or the shear absurdity of almost anything to do with either viruses or computer-to-computer communication (I once saw a scene in a film in which a computer "dialed into" a laptop which was not hooked up to a phone line, turned on the power to the laptop and then infected it with a virus...GET REAL!).  Before you go thinking that I'm a completely hopeless pedant, know that I am capable of suspending my disbelief in the interest of a good film (I quite enjoyed the 1995 film, The Net, in spite of the fact that a good deal of its plot revolves around things that were outright impossible with anything resembling the technology of the period).  Still, I sometimes do find myself thinking that ignorance does indeed bring a certain degree of bliss.

Except for some of the really great classics (and almost anything by Hitchcock), I'm not a really big fan of old films but one thing's for sure (are you listening, Ted Turner? (I thought not)): I HATE COLORIZATION!

Finally, I do watch TV regularly (if not very frequently).  I go on kicks from time to time, usually involving long-running British science fiction, comedies or historical dramas.  When I bought my first VCR many years ago, I got a bit obsessive about this and spent a few years assembling complete recordings of Dr. Who,   Blake's 7,   Upstairs, Downstairs,   I, Claudius   and a handful of my favorite comedy series (Butterflies, Solo, The Good Neighbors, Fawlty Towers and Monty Python's Flying Circus).  I kind of gave up that endeavor when I realized that I almost never actually watched the tapes!  Perhaps perversely, however, they still take up several feet of shelf-space in my entertainment room.

In recent years, the only things I've watched with any regularity have been Friends and some British programs which make their way over here (especially Coupling, Monarch of the Glen  and a soap opera called The Eastenders).  I'm also a big fan of various documentary-type shows (especially of a science or biographical nature) so my channel-surfing is usually limited to The Learning Channel, A&E Biography, Discovery, Animal Planet, The History Channel and PBS.  I don't watch anything regularly on any of these stations but I do sample them with some frequency.  I'll also tune into MTV or VH1 from time-to-time.  I rarely like what I hear there but I do have a certain fascination with music videos as mini-movies and, equally so, with the various Behind The Music biographical type of shows they run.  The forgoing, however, probably implies that I spend far more time in front of the tube than I actually do so I'll just stop it here!

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David & "Dougie"

OK, I've already said "finally" but there really is one over-riding passion/hobby in my life which I must mention: FUN!  I'll try just about anything that seems like it will be fun.  I won't try to list the various things I've done in that area except to say they've involved jumping out of airplanes, frequent nudity, singing and dancing in public places, lots of parties and, in general letting go of any notions of what's embarrassing.  USE YOUR IMAGINATION!

 


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