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Lead
Singer: John/Paul
Recording: 7/1/63,
7/16/64 (BBC), 7/30/63
(BBC), 8/1/63 (BBC), 9/3/63
(BBC), 9/7/63 (BBC), 10/9/63
(BBC), 10/16/63 (BBC),
12/17/63 (BBC), 12/18/63
(BBC)
Mixing:
7/4/63, 11/8/66
Length:
2:19
Take:
Anomalies
0:12
A quick warping drop
in cymbal sound. |
0:37,1:16
As the guitar plays
one of the
transitions, the
hi-hat loses its
high-end. Sounds
like it could be a
repeat edit, like at
0:12 |
1:03
Another phasing of
hi-hat sound as "glaaaad"
ends, just before "wooooooo" |
1:23-1:30
Bad edit right after
the line "I think
it's only
fair"...even the
cymbals sound
different. The drop
in ends after the
line "Because she
loves you". * NEW *
Reported as not
audible in Capitol
Remix, but is
reported audible on
Red Album |
Danny Caccavo says
:-
I examined this on a
workstation, and I
think that somebody
(after the initial
release) mangled or
stretched the tape,
and copied a piece
from a 45 (record)
and edited it in.
The insert piece has
audible clicks in it
when analysed at
slow speed. Since
the Capitol version
doesn't have this,
this might be an
explanation.
Dave Prokopy says
:-
The great number of
edits is
understandable ...
they were still
working on 2-track
recording, primarily
an instrumental on
one and usually live
vocals on the other.
The only way to
overdub was to make
a copy while adding
a new element. This
meant an extra layer
of hiss ... to
minimise this,
George Martin would
make a copy with the
overdubs added, and
then edit JUST the
overdubbed sections
into the mono mix of
the basic recording.
Therefore only the
overdubbed sections
would have the extra
hiss, not the whole
song.
It sounds like
Martin had the boys
overdub an extra set
of "Yeah Yeah Yeahs"
... those three
words sound a lot
fuller ... the
downside is that
this created a ton
of extra edits.
Subsequent
versions are cleaned
up, with more
obvious edits
digitally tightened. |
Every chorus *
NEW *
Distinctly sounds
like "She loves you,
She'd love to, She
loves you" |
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