PLAUTUS

Titus Macc(i)us PLAUTUS, 250's(?)BC - 184? BC

 The biographical tradition reports that Plautus was born Macc(i)us, an Umbrian from Sarsina (in northern Italy) and acquired the cognomen Plotus/Plautus for his flat feet. On coming to Rome, he worked as a stagehand, and possibly as an actor. He left Rome on a business venture and when that failed, worked for a miller after returning. All these details are suspect.

His play are trationally edited in alphabetical order, as follows:

[The web pages attached to each play and the books below are the work of students in LATN 4004 Roman Comedy Fall 2004.  My thanks to them for their hard work and enthusiasm.  -W.Major]
 

Latin title English title Web Page Creator
Amphitruo Jupiter in Disguise
Amphitryo
Amphitryon
Devin Reid
Asinaria Ass-Dealer
Comedy of Asses
Asses Galore
Aulularia Concealed Treasure
Pot of Gold
Bacchides Twin-Sisters
Two Bacchises
Two Sisters Named Bacchis
Wild Wild Women
David Hogue
Captivi Captives
Prisoners
Adam Pollet
Casina Strategem Defeated
Casina
A Funny Thing Happened on the Way to the Wedding
Cistellaria Casket Comedy
Casket
The Little Box
Bryan Viellon
Curculio Forgery
Weevil
Epidicus Fortunate Discovery
Epidicus
Menaechmi Twin-Brothers
Menaechmuses
Twin Menaechmi
Menaechmus Twins
Brothers Menaechmus
Double Bind
Laura Brown
Mercator Merchant
Entrepreneur
Sarah Bailly
Miles Gloriosus Braggart Captain
Braggart Warrior
Arrogant Soldier
Swaggering Soldier
Major Blowhard
Pamela Bradley
Mostellaria Haunted House
Ghost
Angela Ethridge
Persa Persian
The Girl from Persia
Rebecca Vincent
Poenulus Young Carthaginian
Little Carthaginian
Carthaginian
P.J. Oubre
Pseudolus Cheat
Pseudolus
Rudens Fisherman's Rope
Rope
Kelli Blue
Stichus Parasite Rebuffed
Stichus
Scott Manning
Trinummus Three Pieces of Money
Three Bob Day
Three Penny Day
Three Dollar Day
Thirty Dollar Day
Victoria Burke
Truculentus Churl
Truculentus
Savage Slave
Patrick Schmit
Vidularia Tale of a Travelling Bag
Traveling Bag

Some 130 plays circulated under Plautus' name in antiquity. According to Varro in the first century BC, the above 21 plays were generally considered authentic, but opinions varied on others. A handful of fragments from at least 32 different plays (not counting the canonical 21) survive. Lack of testimony and frequent revivals of Plautus' plays make dating any plays hazardous.

BIBLIOGRAPHY

Below are a number of standard scholarly books about Roman Comedy, especially about Plautus.  The linked web pages provide an outlined summary of the book and guides to further information.
 

BOOK
Web Page Creator
Anderson, William S. 1993. Barbarian Play: Plautus' Roman Comedy. Toronto: University of Toronto Press. Pamela Bradley
Beacham, Richard C. 1992. The Roman Theatre and Its Audience. Cambridge, MA: Harvard University Press. 
Bryan Viellion
Duckworth, George E. 1952. The Nature of Roman Comedy: A Study in Popular Entertainment. Princeton: Princeton University Press.
Devin Reid
Forehand, W.G. 1985. Terence. Boston: Twayne.  Scott Manning
Goldberg, S.M. 1986. Understanding Terence. Princeton: Princeton University Press.  Jennifer Guillory
Konstan, David. 1983. Roman Comedy. Ithaca: Cornell University Press.  Laura Brown 
Leigh, Matthew. 2004 Comedy and the Rise of Rome. Oxford: Oxford University Press.  P.J. Oubre 
McCarthy, Kathleen. 2000. Slaves, Masters and the Art of Authority in Plautine Comedy. Princeton: Princeton University Press.  Adam Pollet 
Moore, Timothy J. 1998. The Theater of Plautus: Playing to the Audience. Austin: University of Texas Press.  Sarah Bailly
Segal, Erich. 1987. Roman Laughter: The Comedy of Plautus. 2nd ed. Ithaca: Cornell University Press.  Kelli Blue
Segal, Erich. 2001. Oxford Readings in Menander, Plautus, and Terence. Oxford: Oxford University Press. Victoria Burke
Slater, N.W. 1985. Plautus in Performance: The Theatre of the Mind. Princeton: Princeton University Press. Angela Ethridge
Wright, John. 1974. Dancing in Chains: The Stylistic Unity of the Comoedia Palliata. Rome: American Academy in Rome.  David Hogue
Zagagi, Netta. 1980. Tradition and Originality in Plautus: Studies of the Amatory Motifs in Plautine Comedy. Göttingen: Vandenhoeck und Ruprecht.  Rebecca Vincent