The biographical tradition reports that Plautus was born Macc(i)us, an Umbrian from Sarsina (in northern Italy) and acquired the cognomen Plotus/Plautus for his flat feet. On coming to Rome, he worked as a stagehand, and possibly as an actor. He left Rome on a business venture and when that failed, worked for a miller after returning. All these details are suspect.
His play are trationally edited in alphabetical order, as follows:
[The web pages attached to each play and the books below are the work
of students in LATN 4004 Roman Comedy Fall 2004. My thanks to them
for their hard work and enthusiasm. -W.Major]
Some 130 plays circulated under Plautus' name in antiquity. According to Varro in the first century BC, the above 21 plays were generally considered authentic, but opinions varied on others. A handful of fragments from at least 32 different plays (not counting the canonical 21) survive. Lack of testimony and frequent revivals of Plautus' plays make dating any plays hazardous.
BIBLIOGRAPHY
Below are a number of standard scholarly books about Roman Comedy, especially
about Plautus. The linked web pages provide an outlined summary of
the book and guides to further information.
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| Anderson, William S. 1993. Barbarian Play: Plautus' Roman Comedy. Toronto: University of Toronto Press. | Pamela Bradley |
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Beacham,
Richard C. 1992. The Roman Theatre and Its Audience. Cambridge,
MA: Harvard University Press.
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Bryan Viellion |
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Duckworth,
George E. 1952. The Nature of Roman Comedy: A Study in Popular Entertainment.
Princeton: Princeton University Press.
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Devin Reid |
| Forehand, W.G. 1985. Terence. Boston: Twayne. | Scott Manning |
| Goldberg, S.M. 1986. Understanding Terence. Princeton: Princeton University Press. | Jennifer Guillory |
| Konstan, David. 1983. Roman Comedy. Ithaca: Cornell University Press. | Laura Brown |
| Leigh, Matthew. 2004 Comedy and the Rise of Rome. Oxford: Oxford University Press. | P.J. Oubre |
| McCarthy, Kathleen. 2000. Slaves, Masters and the Art of Authority in Plautine Comedy. Princeton: Princeton University Press. | Adam Pollet |
| Moore, Timothy J. 1998. The Theater of Plautus: Playing to the Audience. Austin: University of Texas Press. | Sarah Bailly |
| Segal, Erich. 1987. Roman Laughter: The Comedy of Plautus. 2nd ed. Ithaca: Cornell University Press. | Kelli Blue |
| Segal, Erich. 2001. Oxford Readings in Menander, Plautus, and Terence. Oxford: Oxford University Press. | Victoria Burke |
| Slater, N.W. 1985. Plautus in Performance: The Theatre of the Mind. Princeton: Princeton University Press. | Angela Ethridge |
| Wright, John. 1974. Dancing in Chains: The Stylistic Unity of the Comoedia Palliata. Rome: American Academy in Rome. | David Hogue |
| Zagagi, Netta. 1980. Tradition and Originality in Plautus: Studies of the Amatory Motifs in Plautine Comedy. Göttingen: Vandenhoeck und Ruprecht. | Rebecca Vincent |