
But now it's all turned hideous. What's most important to her survival
makes her sick. Because he has betrayed his own children and my
mistress. Jason has wormed his way into a royal marriage, marrying the
daughter of Creon, who manages this terri tory.
But my Medea is a wreck, humiliated. She screams out their wedding vows. She resurrects the promise he made when he held her. She calls on the gods to bear witness that she suffers for Jason's change of heart. And she lies there. No food. She surrende rs her body to the pain. The whole time she melts into tears, since she learned of her husband's crime. She never lifts her eyes, never frees her body from the ground. She's as deaf as a rock or the ocean waves when her friends offer advice. If she's eve r not twisting her pale neck away, she is screeching out to her dear father and to her home country, which she betrayed and abandoned, for her husband, who now just abuses her. The poor thing, she's learning from her current problems the value of not runn ing away from home.
She hates the children and even seeing them brings her no relief. I'm afraid of what odd plot she might devise. Her heart is stone, now, and she won't stand for being battered. I know her, and I'm scared she'll a stick a blade to their hearts, sneak into the house where the bed stands or kill the king and the new groom, and so just make it all worse for herself. She is wickedly captivating and no one who happens to cross her will enjoy a victory easily.
TUTOR
NURSE
Venerable attendant of Jason's children, for good slaves, when the
master's luck goes bad, it tears at the heart. So I've walked out here,
feeling just such pain, and let the desire overtake me to come here and
tell the earth and sky my lady's misfortunes.
TUTOR
Hasn't the poor thing stopped weeping?
NURSE
Ha! I wish I could think like you! She's not half way through her pain.
TUTOR
The fool! -If it's possible to call the mistress that, as she knows
nothing of her latest problems.
NURSE
What is it, old man? Don't hold out on this.
TUTOR
Nothing. I'm sorry I even said what I did.
NURSE
No, I beg you, don't hide this. We're both slaves! I'll keep silent
about it, if that's what it takes.
TUTOR
I overheard someone talking, though I didn't let on that I could hear,
where the old men sit and play dice, down by the holy fountain, that the
children are going to be run out of town, along with their mother. That's
what Creon in his palace plans for t hem. So that's the word. Whether it's
exactly right, I do not know. I should hope it is not.
NURSE
Jason won't put up with this treatment of the children, even if he
has differences with their mother.
TUTOR
Old ties that bind are abandoned for new ones. That man is not part
of this house anymore.
NURSE
We're doomed! We'll drown before we can bail out of these new troubles!
TUTOR
You, listen: it is not the time for Medea to know about this. Stay
quiet and don't say a word.
NURSE
TUTOR
Isn't that the human race? Haven't you figured out by now that everyone
loves themselves more than anyone else? Some have good reason, but mostly
it is for profit. It's because of his new bride that he no longer cares
for the children.
NURSE
MEDEA offstage
NURSE
MEDEA (still inside)
NURSE
Oh no! Oh no! Oh, the way she feels EVERYthing!