The Torban (Teorban)

TorbansThe Torban is a variant of the bandura and is often called the gentlemen's or pans'ka bandura. The torban differs from the standard bandura in that the body is glued from ribs like that of a lute or mandolin. It has two pegboxes on the end of the neck, the additional one of which houses a second set of bass strings. Some torbans have frets on the neck which made them into a more universal instrument by combining aspects of the bandura and kobza. The torban has approximately 30 strings, usually made of gut, although instruments having up to 60 strings are known to have existed. These instruments were very popular among the gentry and nobility of Poland, Russia and Ukraine, and it is known that prominent Ukrainians such as Hetman Mazepa and Kyrylo Rozumovsky played the torban.

Torbans from "The Guitar review" N 33

It is thought that the Torban was influenced by the French theorbo (teorbe) which the Cossacks under the command of Colonel Ivan Sirko would have observed during their campaigns with the French during the Thirty Years War (1618-1648). The Cossacks would have had bandurists among their ranks and it is thought that these bandurists may have been the first to develop the hybrid instrument. The torban began to fall into disuse in the 19th century. It was more difficult to play and make, and more expensive. In the early 1920's the torban was branded antiproletarian, because of its association with court aristocratic musical traditions. This marked the end of its use in Ukraine, where it was replaced by the guitar and bandura. Certain structural peculiarities of the torban have made an appearance in the contemporary bandura. These include such peculiarities as the doubled bass pegbox and the glued back. The later feature is being used extensively on the Lviv banduras.

No 8 Photo: (p.10) Kobzar Hnat Honcharenko and Olexander Borodai (standing)

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The Classical Bandura (Folk Bandura)

The bandura is a uniquely Ukrainian instrument that does not have any direct analogies in neighboring countries. The classical or folk bandura is thought to have evolved developed from its predecessor, the kobza, in the 14-15th centuries. First mentions of a Ukrainian bandurist date back to Polish chronicles of 1441. The bandura differed from the kobza in that it had no frets along the neck and the major playing was done on treble strings known as prystrunky. These were placed to one side of the strings strung across the neck. The classical bandura became very popular among the Ukrainian Cossacks and was often played in the courts of Poland and Russia.

The size and shape of the classical bandura has remained remarkably stable for the past 300 years. Instruments which date from the 1600's are very similar to those used at the turn of the century by the wandering minstrels known as kobzars. The classical bandura had 20 to 24 metal strings tuned diatonically. The back was hewn from of a single piece of timber, with a soundboard of spruce or pine. Wooden tuning pegs were used and there was hardly any metal on the instrument. The instrument often had a belt to aid in holding it when being played or carried.

Classical banduraKobzar Tkachenko

Left - Classical bandura made by William Vetzal. Right - Kobzar Tkachenko with his students.

The classical bandura was chiefly used by kobzars in solo performance as an accompaniment to epic ballads called dumy, also for religious psalms and historic folk songs. It was also used for the playing of dance tunes. Several exponents of the traditional classical bandura such as Julian Kytasty, Volodymyr Kushpet, and Mykola Budnyk are now coming to the forefront. Interest in this traditional bandura playing in Ukraine and the West is growing. Instruments of this type are now being made by individual craftspeople in Ukraine and Canada. Occasionally in music sources one comes across the incorrect politicaly motivated use of the word "bandore", instead of bandura.

This has resulted because of the suggestion by the Russian academic A. Famintsyn that the Ukrainian people had borrowed the bandura from England from a guitar-like instrument developed invented in 1561 by John Rose that he called a bandore. This has since been disproved. The first mentions of the bandura in Ukraine now date to more than a hundred years earlier.

(No 11 Picture of Kobzar)

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