Research Note


Gunports And Wales

Fred Hocker

Vasa (1628) has the decks and thus the line of gunports following the wales. This creates a couple of operational problems, first by placing a lot of weight farther above the waterline than is necessary or desirable, second by forcing gun crews to maneuvre the guns on a deck that slopes forward (sideways to the gun) towards the bow. A deck with less sheer solves both of these problems, although as more than one post has pointed out, the decks were never completely flat, just flatter than they had been. The line of ports crossing the wales often gives the impression that the deck is flat or even hogged, but the reality is some slight sheer.

The transition to decks with less sheer seems to go through two stages. In the first, during the mid-17th century, the wales retained the same amount of sheer as before but the decks were flattened out. This required cutting gunports through the wales towards the ends of the hull, and this feature is seen in quite a few reliable representations of the period (such as the Van de Velde drawings and Anthony Deane's manuscript on ship design). An alternative was stepped decks, and this is also seen in some cases. English and Dutch ships with ports cut through the wales can be seen from at least the 1630s (for example Van de Velde's drawing of the 4th Rate Expedition built in 1637) and were typical through the Establishment of 1745 and for some decades after.

In the second stage, the sheer of the wales was gradually reduced to approximate that of the decks, and the gunports could once again follow the wales, which is a much stronger arrangement. The beginnings of this development can be seen in the first half of the 18th century, as fewer gunports are cut into the wales, and by the Establishment of 1745 it is usually only the last two or three ports on the gundeck or gundecks that cut into the wales, and then not usually all the way through. By the end of the 18th century, it was typical for all the ports to lie between the wales.
{ Fred Hocker - Vasa Museum }


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