Note: The film reviewed below is now available on video
     
   
 
  THE BLAIR WITCH PROJECT (R)

Cast:
Heather: Heather Donahue
Josh: Joshua Leonard
Mike: Michael Williams

Written, directed and edited by Eduardo Sanchez and Daniel Myrick. Running time: 88 minutes. Rated R (for language
).
Released by Artisan Entertainment.
  What it's about:
       
 
On October 21, 1994, Heather Donahue, Joshua Leonard and Michael Williams hiked into Maryland's Black Hills Forest to shoot a documentary film on a local legend, "The Blair Witch." They were never heard from again.
One year later, their footage was found. The Blair Witch Project is their legacy. It documents the filmmakers harrowing five day journey through the Black Hills Forest, and captures all of the terrifying events that led up to their disappearance.

Shot on 16mm film by Joshua Leonard with sound recorded by Michael Williams, Heather Donahue both performed the narration for the film and shot its behind the scenes footage. Heather's High 8 video recordings document the growing rifts and realizations between the filmmakers as each frustrating day and terrifying night passes.

Ultimately written, directed and edited by Eduardo Sanchez and Daniel Myrick, The Blair Witch Project is an Artisan Entertainment release of a Haxan Film, produced by Gregg Hale and Robin Cowie.

Artisan Entertainment released The Blair Witch Project in the Summer of 1999 .

         
  The Review:
 
  (Susan Wloszczyna,from USA Today, July 14, 1999)
 
  Don't go into the woods!
Any kid who has ever been frightened into restless slumber by the Brothers' Grimm knows you don't stroll blithely into heavliy treed areas. Especially without dropping a trail of crumbs to mark the way out.
But the trio of college students - bossy Heather, laid-back Joshua, regular-guy Michael - who hike inot a remote area of Maryland to shoot a documentary in the groundbreaking bone-chiller The Blair Witch Project (3 1/2 STARS OUT OF 4) gladly tempt fate.
Playful and smug, they never once seriously heed the grisly legends recounted by the locals they film early on; children found slaughtered, men's bodies discovered disemboweled and bound together, a hairy woman who haunts the environs like Bigfoot's sister.
Into the forest they go, more concerned about their equipment than their well-being. But not for long. During a five day plunge into terror, their will to survive will be more than put to the test.
   
  Rain dampens their camping gear and spirits. Supplies are depleted. Autumn's chill adds to their shivers, and shrill arguments erupt, often studded with the F-word. As it becomes ever more apparent that they are hopelessly lost, Heather reassures the others with grating overconfidence; "This is America. You can't get that lost." But such logic is puny relief against the creepy objects and weird sounds that crop up nightly.
The scares may be primal. But filmmakers Eduardo Sanchez and Dan Myrick choose to disturb us in a very '90s Cops/Real World way.

  Blair itself pretends to be not a movie but a true account pieced together from raw footage left behind after the threesome vanished.
The result is low budget horror at its resourceful best, in the same innovative league as the original Night of the Living Dead. Events unfold in grainy cinema-verite style, using both shaky video-cam shots and black-and-white 16 mm dailies. The process is intentionally disorienting as dread heightens with armrest-gripping intensity.
You may get the urge to shout at the students as matters grow ever more dire. They barely know how to use a compass but are well versed in Gilligan's Island lore. That would only come in handy if you were adrift in cable's TV Land.
The suspense becomes so unbearable that it's easy to overlook questions about whether anyone in such circumstances would want to continue filming. But then Heather, her startled eyes like those of a cornered rabbit, bares her sould in a shattering confessional. And you realize that The Blair Witch Project has you under its well-cast spell.
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